4 Hours in a Holding Pattern
for orchestra
(1997)
3 (picc.).3 (cor).3 (bass cl.) .3 (contr.)
4.3.3.1 pno/cel, timp+2 strings
duration: 8’
GRT • 040
score available from
Australian Music
Centre
program note
Contrary to
visions of a delayed landing approach from hell, the
title 4 Hours in a
Holding Pattern actually refers to a uniquely wonderful
flight from St. Petersburg to London. Taking off at sunset,
the plane impossibly follows the sun and lands four hours
later, still in sunset. A dark horizon of deep orange, red
and purple lasting as long as the fully staged version of
Tristan und Isolde is something I may never experience
again (the latter gratefully...). Thanks extended to BA for
a window seat and the economy-class food offering.
The main theme (a jazz tune I wrote ten
years ago) gradually forms out of simple motivic fragments.
The sections of the orchestra are contrasted against a
minimalist ‘holding pattern’ - six bars of 3/4 followed by
a bar of 2/4. Occasional forays into 6/8 create a half-time
feel with ambiguous re-groupings of the musical material.
This piece is dedicated to Brenton Broadstock, a good
friend and composition teacher of many years. Brenton is
the best orchestrator that I've ever met and I hope that
this piece might serve as testament to the time we spent
working on my music (eight years in holding pattern?). It
took that long for the ‘fibonacci king’ to finally persuade
me to try my hand at a formally proportioned structure
built on the golden section.